-
1 προσωδία
προσῳδίᾱ, προσῳδίαsong sung to instrumental music: fem nom /voc /acc dualπροσῳδίᾱ, προσῳδίαsong sung to instrumental music: fem nom /voc sg (attic doric aeolic)——————προσῳδίαι, προσῳδίαsong sung to instrumental music: fem nom /voc plπροσῳδίᾱͅ, προσῳδίαsong sung to instrumental music: fem dat sg (attic doric aeolic) -
2 ψάλλω
ψάλλω fut. ψαλῶ (Aeschyl.+; ins, LXX; TestAbr A 20 p. 103, 26f [Stone p. 54]; TestJob 14:2, 4; Jos., Ant. 11, 67; 12, 349; Just.; Mel., P. 80, 588; Did.) in our lit., in accordance w. OT usage, to sing songs of praise, with or without instrumental accompaniment, sing, sing praise w. dat. of the one for whom the praise is intended τῷ ὀνόματί σου ψαλῶ Ro 15:9 (Ps 17:50). ψαλλῶ σοι B 6:16 (Ps 107:4). τῷ κυρίῳ Eph 5:19: in this pass. a second dat. is added τῇ καρδίᾳ ὑμῶν in or with your hearts; here ψ. is found with ᾂδω (as Ps 26:6; 32:3; 56:8), and the question arises whether a contrast betw. the two words is intended. The original mng. of ψ. was ‘pluck’, ‘play’ (a stringed instrument); this persisted at least to the time of Lucian (cp. Par. 17). In the LXX ψ. freq. means ‘sing’, whether to the accompaniment of an instrument (Ps 32:2, 97:5 al.) or not, as is usually the case (Ps 7:18; 9:12; 107:4 al.). This focus on singing continued until ψ. in Mod. Gk. means ‘sing’ exclusively; cp. ψάλτης=singer, chanter, w. no ref. to instrumental accompaniment. Although the NT does not voice opposition to instrumental music, in view of Christian resistance to mystery cults, as well as Pharisaic aversion to musical instruments in worship (s. EWerner, art. ‘Music’, IDB 3, 466–69), it is likely that some such sense as make melody is best understood in this Eph pass. Those who favor ‘play’ (e.g. L-S-JM; ASouter, Pocket Lexicon, 1920; JMoffatt, transl. 1913) may be relying too much on the earliest mng. of ψάλλω. ψ. τῷ πνεύματι and in contrast to that ψ. τῷ νοί̈ sing praise in spiritual ecstasy and in full possession of one’s mental faculties 1 Cor 14:15. Abs. sing praise Js 5:13. WSmith, Musical Aspects of the NT, ’62; HSeidel, TRE XXIII 441–46.—DELG. M-M. EDNT. TW. Sv. -
3 προσωδίαι
προσῳδίαsong sung to instrumental music: fem nom /voc plπροσῳδίᾱͅ, προσῳδίαsong sung to instrumental music: fem dat sg (attic doric aeolic) -
4 προσῳδίαι
προσῳδίαsong sung to instrumental music: fem nom /voc plπροσῳδίᾱͅ, προσῳδίαsong sung to instrumental music: fem dat sg (attic doric aeolic) -
5 προσωδίας
προσῳδίᾱς, προσῳδίαsong sung to instrumental music: fem acc plπροσῳδίᾱς, προσῳδίαsong sung to instrumental music: fem gen sg (attic doric aeolic) -
6 προσῳδίας
προσῳδίᾱς, προσῳδίαsong sung to instrumental music: fem acc plπροσῳδίᾱς, προσῳδίαsong sung to instrumental music: fem gen sg (attic doric aeolic) -
7 προσωιδία
προσωιδίᾱ, προσῳδίαsong sung to instrumental music: fem nom /voc /acc dualπροσωιδίᾱ, προσῳδίαsong sung to instrumental music: fem nom /voc sg (attic doric aeolic) -
8 προσωιδίαι
προσῳδίαsong sung to instrumental music: fem nom /voc plπροσωιδίᾱͅ, προσῳδίαsong sung to instrumental music: fem dat sg (attic doric aeolic) -
9 προσωιδίας
προσωιδίᾱς, προσῳδίαsong sung to instrumental music: fem acc plπροσωιδίᾱς, προσῳδίαsong sung to instrumental music: fem gen sg (attic doric aeolic) -
10 κροῦσις
A striking, smiting, collision, αἱ πρὸς ἀλλήλας κ., of atoms, Epicur.Nat.Herc.1431.16;ἡ πρὸς ἄλληλα κ. τῶν ὅπλων Plu. Aem.32
; ποδὸς κρούσει χρώμενος spurring with the heel, of a rider, Id.Alex.6.2 tapping or ringing of earthen vessels, to see whether they are sound: hence, generally, scrutiny, Suid.3 metaph., of sophistical attempts to deceive, chicanery, Ar.Nu. 318.4 playing on a stringed instrument, Plu.Per.15, 2.1137b, etc.: generally, instrumental music, Plb.30.22.5;κρούσεις καὶ μέλη Phld.Mus. p.13
K.; παρὰ τὴν κροῦσιν λέγειν, of the recitative, ᾄδειν, of the air sung to the accompaniment of instrumental music, Plu.2.1141a; κ. ἡ ὑπὸ τὴν ᾠδήν heterophone accompaniment, ib.b.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > κροῦσις
-
11 ψιλός
I of land, bare, ψ. ἄροσις open cornland, Il.9.580;πεδίον μέγα τε καὶ ψ. Hdt.1.80
;ὁ λόφος.. δασὺς ἴδῃσί ἐστι, ἐούσης τῆς ἄλλης Λιβύης ψ. Id.4.175
;ἀπὸ ψ. τῆς γῆς Pl.Criti. 111d
, cf. X.An.1.5.5, etc.: in full, [γῆ] ψ. δενδρέων Hdt.4.19
,21; ἄδενδρα καὶ ψ., of the Alps, Plb.3.55.9; τὰ ψ. (sc. χωρία), opp. τὰ ὑλώδη, X.Cyn.5.7; τόποι ψ. ib.4.6; ψ. γεωργία the tillage of land for corn and the like, opp. γ. πεφυτευμένη (the tillage of it for vines, olives, etc.), Arist.Pol. 1258b18, Thphr.CP3.20.1; soγῆ ψ. Eup. 230
, D.20.115, Tab.Heracl.1.175, 2.33;ἐλαῖαι, ὧν νῦν τὰ πολλὰ ἐκκέκοπται καὶ ἡ γῆ ψ. γεγένηται Lys.7.7
.II of animals, stripped of hair or feathers, smooth (cf.λεῖος 1.3
),δέρμα.. ἐλάφοιο Od.13.437
;σάρξ Hp.
Aër.19; ἡμίκραιραν ψ. ἔχων with half the head shaved, Ar. Th. 227; ψ. γνάθοι ib. 583;τὴν ὀσφὺν κομιδῇ ψ. Pherecr.23.4
(anap.); used of dogs with a short, smooth coat of hair, X.Cyn.3.2;τὴν δίποδα ἀγέλην τῷ ψ. καὶ τῷ πτεροφυεῖ τέμνειν Pl.Plt. 266e
;ἄνθρωπος -ότατον κατὰ τὸ σῶμα τῶν ζῴων πάντων ἐστί Arist.GA 745b16
; so ἶβις ψ. τὴν κεφαλήν without feathers, bald on the head, Hdt.2.76; hairless, of the foetus of a hare, Id.3.108; ψ. τὰ περὶ τὴν κεφαλήν, of the ostrich, Arist.PA 697b18.b ψιλαὶ Περσικαί Persian carpets, Callix.2; such a carpet is called ψιλή alone, PSI7.858.2 (iii B. C., pl.), LXXJo.7.21; ψιλὴ πολύμιτος, Babylonicum, Gloss.; ψιλή = aulaeum, tapeta, ibid.; cf. ψιλόταπις.2 generally, bare, uncovered, ψ. ὡς ὁρᾷ νέκυν, i. e. without any earth over it, S.Ant. 426; of a horse which has thrown its rider, AP13.18 ([place name] Parmeno).b c. gen., bare of, separated from, ψ. σώματος οὖσα [ἡ ψυχή] Pl.Lg. 899a;τέχναι ψ. τῶν πράξεων Id.Plt. 258d
;ψ. ὅπλων Id.Lg. 834c
;ἱππέων X.Cyr.5.3.57
;θηρία μεμονωμένα καὶ ψ. τῶν Ἰνδῶν Plb.11.1.12
.c stripped of appendages, naked, ψ. [τρόπις] the bare keel with the planks torn from it, Od.12.421; ψ. μάχαιραι swords alone, without other arms, etc., X.Cyr.4.5.58; θάλαττα ψ. blank sea, Aristid.Or.25(43).50.III freq. in Prose, as a military term, of soldiers without heavy armour, light troops, such as archers and slingers, opp. ὁπλῖται, first in Hdt.7.158, al., freq. in Th., e. g.ὁπλίζει τὸν δῆμον, πρότερον ψ. ὄντα 3.27
, cf. Arr.Tact.3.3;ὁ ψ. ὅμιλος Th.4.125
; so ψιλοί or τὸ ψιλόν, opp. τὸ ὁπλιτικόν, X.HG4.2.17, Arist.Pol. 1321a7; ψιλός, opp. ὡπλισμένος, S.Aj. 1123: coupled with ἄσκευος, Id.OC 1029;ψιλὸς στρατεύσομαι Ar.Th. 232
;ψ. δύναμις Arist.Pol. 1321a13
; αἱ κοῦφαι καὶ αἱ ψ. ἐργασίαι work that belongs to unarmed soldiers, ib. 1321a25;ψ. χερσὶν πρὸς καθωπλισμένους Ael.VH6.2
: but ψ. ἔχων τὴν κεφαλήν bare-headed, without helmet, X.An.1.8.6; ψ. ἵππος a horse without housings, Id.Eq.7.5: unarmed, defenceless, S.Ph. 953.IV λόγος ψ. bare language, i. e. prose, opp. to poetry which is clothed in the garb of metre, Pl.Mx. 239c, Phld.Mus.p.97K.; more freq. in pl.,ψ. λόγοι Pl.Lg. 669d
; opp. τὰ μέτρα, Arist.Rh. 1404b14,33: but in D.27.54 ψ. λόγος is a mere speech, a speech unsupported by evidence; and in Pl.Tht. 165a ψιλοὶ λόγοι are mere forms of argumentation, dialectical abstractions (so ψιλῶς λέγειν speak nakedly, without alleging proofs, Id.Phdr. 262c, cf. Lg. 811e);τὰς πράξεις αὐτὰς ψιλὰς φράζοντες Arist.Rh.Al. 1438b27
.2 ποίησις ψ. mere poetry, without music, i. e. Epic poetry, opp. Lyric ([etym.] ἡ ἐν ᾠδῇ), Pl.Phdr. 278c; soἄνευ ὀργάνων ψ. λόγοι Id.Smp. 215c
, cf. Arist.Po. 1447a29; ψ. τῷ στόματι, opp. μετ' ὀργάνων, as a kind of μουσική, Pl.Plt. 268b;λύρας φθόγγοι.. ψιλοὶ καὶ ἀμεικτότεροι τῇ φωνῇ Arist.Pr. 922a16
; ἡ ψ. φωνή the ordinary sound of the voice, opp. singing ([etym.] ἡ ᾠδική), D.H. Comp.11.3 ψ. μουσική instrumental music unaccompanied by the voice, opp. ἡ μετὰ μελῳδίας, Arist.Pol. 1339b20; ψιλῷ μέλει διαγωνίζεσθαι πρὸς ᾠδὴν καὶ κιθάραν, of Marsyas, Plu.2.713d, cf. Phld.Mus. p.100K.; soψ. κιθάρισις καὶ αὔλησις Pl.Lg. 669e
; ψιλὸς αὐλητής one who plays unaccompanied on the flute (cf. ψιλοκιθαριστής), Phryn. 145.V mere, simple (cf. supr. IV. 1), ἀριθμητικὴ ψιλή, opp. geometry and the like , Pl.Plt. 299e; ὕδωρ ψ., opp. σὺν οἴνῳ, Hp.Int.35; ψ. ἀναίρεσις mere removal, Phld.Sign.12; ψ. ἄνδρες, i. e. men without women, Antip.Stoic.3.254:—Oedipus calls Antigone his ψιλὸν ὄμμα, as being the one poor eye left him, S.OC 866. Adv. merely, only,Plu.
Per.15; ἕνεκα τοῦ ψ. εἰπεῖν for the purpose of merely saying, Sch. Il.Oxy.1086.65; ψ. ὀνομάζειν call by the bare name (without epithet), Phld.Vit.p.39J.VI Gramm. of vowels,ψ. ἦχος
without the spiritus asper,Demetr.
Eloc.73;ψ. πνεῦμα A.D.Adv.148.9
, D.T.Supp. 674.15;ψιλῶς λέγεσθαι A.D.Pron.57.3
.b of the letters ε and υ written simply, not as αι and οι, which represented the sounds in late Gr.,μαθόντες τὰ διὰ τοῦ διφθόγγου ᾱῑ τυχὸν ἅπαντα, ἐδιδάχθημεν τὰ ἄλλα πάντα ψιλὰ γράφεσθαι Hdn.Epim. 162
, cf. An.Ox.1.124: hence ἐψιλόν as name of the letter ε and ὐψιλόν as name of υ, which are first found in Anon. post Et.Gud.679.6, 678.55, and Chrysoloras: ἐ ψιλόν is f. l. in D.T.631.5: but inπᾶσα λέξις ἀπὸ τῆς κ ¯ ε ¯ συλλαβῆς ἀρχομένη διὰ τοῦ ε ¯ ψιλοῦ γράφεται.. πλὴν τοῦ καί, κτλ. Hdn.Epim.62
, ε ¯ ψ. is not yet merely the name of the letter: for ὐψιλόν v. sub ὖ, cf. Sch. Heph.p.93C.2 of mute consonants, the litterae tenues, π κ τ, opp. φ χ θ, o(/sai gi/gnontai xwris th=s tou= pneu/matos e)kbolh=s Arist. Aud. 804b10, cf. D.H.Comp.14, D.T.631.21; ψιλῶς καλεῖν pronounce with a littera tenuis for an aspirate, e. g., ῥάπυς for ῥάφυς, ἀσπάραγος for ἀσφάραγος, Ath.9.369b, cf. Eust.81.5, Tz.H.11.58. -
12 προσωδιών
-
13 προσῳδιῶν
-
14 προσωδίαις
-
15 προσῳδίαις
-
16 προσωδίαν
-
17 προσῳδίαν
-
18 προσωιδιών
-
19 προσωιδιῶν
-
20 προσωιδίαν
προσωιδίᾱν, προσῳδίαsong sung to instrumental music: fem acc sg (attic doric aeolic)
- 1
- 2
См. также в других словарях:
instrumental music — music without vocal accompaniment, music composed for musical instruments only … English contemporary dictionary
instrumental music — noun 1. music intended to be performed by a musical instrument or group of instruments • Hypernyms: ↑music 2. music produced by playing a musical instrument • Hypernyms: ↑music … Useful english dictionary
Transition from Renaissance to Baroque in instrumental music — In the years centering around 1600 in , several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary , deliberately instigated by a group of intellectuals in… … Wikipedia
Department of Instrumental Music, Rabindra Bharati University — Seal of the Rabindra Bharati University Established 1976 Type Education and Research … Wikipedia
Instrumental rock — is a type of rock music which emphasizes musical instruments, and which features no or very little singing.Examples of instrumental rock can be found in practically every subgenre of rock, often from musicians who specialize in the style, like… … Wikipedia
Music of Florence — Music of Italy Genres: Classical (Opera) Pop Rock (Hardcore New Wave Progressive rock) Disco Folk Hip hop Jazz History and Timeline Awards … Wikipedia
Music of China — Timeline General topics Traditional Chinese instruments … Wikipedia
Music of Greece — General topics Ancient Byzantine Néo kýma Polyphonic song Genres Entehno … Wikipedia
Music of Guatemala — Music of Guatemala: Topics Marimba music Garifuna music Folk music Rock Classical music Indigenous Timeline and Samples Central American music … Wikipedia
Music history of Italy — Music of Italy Genres: Classical (Opera) Pop Rock (Hardcore New Wave Progressive rock) Disco Folk Hip hop Jazz History and Timeline Awards … Wikipedia
Music of Venice — Music of Italy Genres: Classical (Opera) Pop Rock (Hardcore New Wave Progressive rock) Disco Folk Hip hop Jazz History and Timeline Awards … Wikipedia
